If this sound isn’t at least used in the sequel, then we’re marching with pitchforks to LA to protest… 2: The intro to Jump by Van Halen Adjust the amplitude envelope to affect the filter (so the filter opens as the note’s amplitude increases and decreases). Pick a sawtooth waveform over two oscillators detune them and reduce the filter to taste. The easiest way to recreate it fully is with Arturia’s CS-80 variant, the CS-80V, but any pad sound can be pushed into this atmospheric realm. It’s now one of the most sought-after synths ever, and you’ll be out of pocket by a five-figure sum if you can even find one. To recreate it Vangelis used his trusty Yamaha CS-80 for much of the music on Blade Runner. Better still, just use the original soundtrack, as it was such a pivotal factor in the success of the original film. It’s still not certain who will be doing the music to the sequel to Blade Runner scheduled for next year, but if we had our way, either get us to do it or, of course, Vangelis himself. It’s the incidental pads shimmering throughout the film that get our vote here and remain some of the most appropriate and atmospheric sounds ever to grace cinema. So without further ado, let’s kick things off and go back to 1982, or perhaps forward to 2019… 1: Vangelis’ pad sound from Blade Runnerīlade Runner is now touted as one of the greatest films ever made and its soundtrack has become almost as iconic, thanks to tracks like the emotive The Love Theme and high-tempo End Titles, all produced by the Greek god of the synthesiser: Vangelis. Which was the entire point of the original post.Here we’ve chosen the Seven Deadliest Synth sounds – not simply because it’s a great play on words, we assure you – from the 1970s and 80s, a time when the synth rose to become the dominant instrument in music production. The entire point was that it appears to be easier to create those grimy, hard Dubstep basses on FM8 than on MASSIVE. But then even so the entire point of the original post was missed. The only thing that matters is that you do what makes you HAPPY. You can try to be ambient or different, but sometimes that just helps limit your audience. Underground music is nice, but it's quickly forgotten. Which is how I assume about 90% of most EDM songs are going to be heard. A lot of the songs in EDM need those basic sounds, because that's what people already have in their head and want to hear when they're going nuts in the club on the dance floor. If we were talking about making real bank we'd all slowly leave the EDM genre and go back to making crappy hip hop songs with Jazz samples and basic risers followed by Ariana Grande hitting some perfect melody, which would obviously be accompanied by a stereotypical chord progression from the four chords song. But to be honest I'd much rather be a little gayer than learn about some other forgotten subgenre where every song is either okay, absolutely horrible and then yeah that sounds good, but it could've been better. As well as the fact that I have to explain Drum N' Bass and that I still have no idea what Jungle is. Which is so "mainstream" that I have to explain what Dubstep is to almost anyone I've met over the age of like 28 years old. Which again I only bought, because I wanted to know about some of the history that lead up to the awesomeness that is Post-Dubstep. Hey guys let's make something completely new, because I hate house and Dubstep instead let's make some more old school Drum N' Bass that none of us know about, but can only find at rare shops and then buy each disc for like $5, because they're so non-mainstream that I am the only one who has bought their CD's in the couple of months that they've been open.
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